: This is a selection of ESQ1 patches : : ---- CUT HERE ---- : This is a shar archive. Extract with sh, not csh. : The rest of this file will extract: : 1 10 11 12 13 2 3 4 5 6 7 8 9 echo x - 1 sed -e 's/^X//' > 1 <<'!End-Of-1!' XReturn-Path: ihnp4!aicchi!mdb@ucbvax.Berkeley.EDU XReceived: by ucbarpa.Berkeley.EDU (5.57/1.18) X id AA22373; Fri, 21 Nov 86 20:56:03 PST XReceived: by ucbvax.Berkeley.EDU (5.53/1.18) X id AA04469; Fri, 21 Nov 86 20:55:51 PST XDate: Fri, 21 Nov 86 20:55:51 PST XFrom: ihnp4!aicchi!mdb@ucbvax.berkeley.edu XMessage-Id: <8611220455.AA04469@ucbvax.Berkeley.EDU> XReceived: by ihnp4.ATT.COM id AA04319; 21 Nov 86 14:06:44 CST (Fri) XApparently-To: ucbvax!rosen@ucbarpa.berkeley.edu XStatus: O X XRob, X Here's a patch for the library, and some misc. notes: X X PROGRAM: ROADT2 X -------- X XDescription: This patch is like the ROADT2 supplied on the voice eprom. X The difference is that the depth of the vibrato is controlled X by the wheel (base level) and by velocity. The harder you X play, the more the vibrato effect. Great for emphasising X a melody... X X X OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XOSC 1 -1 00 00 el pno lfo1 00 env1 00 XOSC 2 -1 00 03 el pno lfo1 00 env1 00 XOSC 3 +1 07 00 synth1 *off* 00 *off* 00 X ------------------------------------------------------------- X X LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XDCA 1 63 on lfo3 -63 *off* +00 XDCA 2 63 on lfo3 +00 *off* +00 XDCA 3 00 on env1 +42 *off* +00 X ------------------------------------------------------------- X X FREQ= Q= KEYBD= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XFILTER 006 00 27 env3 +63 env2 +37 X ---------------------------------------------------------- X X VOLUME MOD DEPTH PAN= PAN MODULATOR DEPTH X ------------------------------------------------------------- XDCA 4 env4 63 08 lfo2 +47 X ------------------------------------------------------------- X X FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD= X ------------------------------------------------------------- XLFO 1 20 off on tri 07 40 01 vel XLFO 2 12 off off tri 63 00 20 *off* XLFO 3 13 on off tri 00 00 00 wheel X ------------------------------------------------------------- X X L1= L2= L3= LV= T1Y= T1= T2= T3= T4= TK= X -------------------------------------------------- XENV 1 +63 +05 +00 63 29 51 56 00 00 01 XENV 2 +63 +00 +00 63 00 00 00 00 00 00 XENV 3 +63 +30 +01 63 22 00 28 47 37 15 XENV 4 +63 +47 +00 50 63 00 41 63 19 09 X ------------------------------------------------------------- X X SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC= X ------------------------------------------------------------- XMODES off off off 00 off off on off X ------------------------------------------------------------- X X SPL/LAY-->PROG LAY-->PROG SPL-->PROG SPLIT KEY X ------------------------------------------------------------- XSPLIT/ off off off XLAYER X X------------------------- X X A few typos in your PANG1 patch: X In the FILTER section - Where you have OUTPUT=keybd, it should be X KEYBD=xxx. X In the ENV header - T1Y should be T1V (T1 vel sens.) X In ENV4 - there are no negative times (Tx values). X X It does seem to work ok. I wish I had something like the normal X crash/ride/hi hat set, tho... X------------------------- X X As far as software goes, I now have *working* programs for single-patch Xup/download, patch display, sequencer memory (all of it) up/download, and Xvoice selection from a graphic display. I also have the sequence print Xprogram working to the point of displaying the notes, lengths, velocities, Xtiming info, and most of the header data in ascii. Now comes the fun part Xof getting the graphics right (:-) (:-) (:-). Maybe one of these days I'll Xget the patch editor running, and the ........... X X However !!! - my MIDI computer is an Otrona Attache with a homebrew Xinterface, and all the software is in either 8080/z80 assembly and X(yech, this is just for quick prototyping, honest...) MBASIC. X So, if anyone else wants to try writing their own interface software, Xthey can either translate from assembly, or wait for my forthcoming X"USENET guide to ESQ-1 SYSEX interfacing" or whatever I end up calling Xmy collection of notes...... Meanwhile, I'll answer any questions I can Xvia EMAIL. X X Enough for now, got to get back to hacking...... X X Mike Blackwell X ihnp4!aicchi!mdb (USENET) X mdb%aicchi.UUCP@seismo.ccs.gov (INTERNET) X X !End-Of-1! echo x - 10 sed -e 's/^X//' > 10 <<'!End-Of-10!' XReturn-Path: Webster.Henr@Xerox.COM XReceived: by ucbarpa.Berkeley.EDU (5.57/1.20) X id AA07940; Fri, 6 Feb 87 07:06:50 PST XReceived: from Aurora.ms by ArpaGateway.ms ; 06 FEB 87 07:05:54 PST XDate: 6 Feb 87 10:05:40 EST (Friday) XSubject: a useful layer and a new context for Tekno? patch XTo: esq@ucbarpa.Berkeley.EDU XCc: Webster.Henr@Xerox.COM XFrom: Marc Webster XReply-To: Webster.Henr@Xerox.COM XMessage-Id: <870206-070554-3244@Xerox> XStatus: O X XI've found a useful patch by layering PnoStr and DigPno. It gives you Xthe percussiveness of a piano but fills out with the strings. Also, XI've modified the strings so I can controll volume with the voltage Xcontrol pedal. Set the three DCA initial volume to 32 instead of 64 and Xlet the pedal add to the volume appropriately. I also closed the filter Xslightly and had the pedal open it back up to add intensity. After Xdecreasing the amplitude of the DigPno (DCA4 = something in the 20's) Xand putting the pno and strings together, I can pull the pedal back all Xthe way and basically get "just digital piano". As the music intesity Xincreases, I can begin to press the pedal to add the strings which fill Xout the sounds nicely. Not terribly new and exotic, but effective. X XAnd here's a new context for the "TEKNO?" patch (off the cartridge). XThe patch has a slight vibrato from LFO1 controlled by the wheel. I Xincreased the LFO rate to about 28 or so, and set level so that the Xpitch would always have a quick, wide "vibrato" (actually, it sounds Xmore like a fast "shake" in vocal jazz). Then I added heavy reverb X(this part turns out to be very important. If not drenched in reverb, Xthe sound is hoaky). Now hit a chord in the upper part of the keyboard Xwith several color notes. For example, a C7 voiced as X X G X E X D X Bb X G X XIf it sounds like mine, you get a very effective "hit" (as in orchestra Xhits, brass hits, etc). X Xnote: The reason for the reverb is to blend the fast, wide vibrato into Xa single sound color rather than being able to distinguish that the Xchord is vibratoing. Too light a reverb makes the pitch variation Xobvious. X X XSince these are just modifications of standard patches, I didn't bother Xto print a patch sheet. If somebody asks, though, I will. Also, I've Xmade a patch of a "record scratch" (errrrRRrrRRrrRREEeeEEEeeKKKK!!!) XIt's not fantastic, but it's getting there. One of these days I'll Xremember to bring it in. X X Xmarc webster !End-Of-10! echo x - 11 sed -e 's/^X//' > 11 <<'!End-Of-11!' XReturn-Path: yerazuws@csv.rpi.edu XReceived: by ucbarpa.Berkeley.EDU (5.57/1.20) X id AA05921; Sat, 14 Feb 87 08:47:18 PST XReceived: by csv.rpi.edu (5.54/1.14) X id AA08261; Sat, 14 Feb 87 11:45:13 EST XDate: Sat, 14 Feb 87 11:45:13 EST XFrom: yerazuws@csv.rpi.edu (Crah) XMessage-Id: <8702141645.AA08261@csv.rpi.edu> XTo: esq@ucbarpa.Berkeley.EDU XStatus: O X X XHere's a "fun" patch, good as a special effect. I don't like an envelope Xon my specials, as I prefer to do the enveloping from the mixing board, Xbut you can change ENV4 to be as you wish. X XPatch name :VADER XOSC1: 0 000 00 NOISE2 LF01 +63 *OFF* 00 XOSC2: -3 00 00 PULSE *OFF* 00 *OFF* 00 XOSC3: -3 00 00 PULSE *OFF* 00 *OFF* 00 XDCA1: 63 ON LF03 -35 *OFF* 00 XDCA2: 26 ON LFO3 -63 *OFF* 00 XDCA3: 00 OFF ---------------- XFILT: 000 14 40 LF02 +15 *OFF* 00 XDCA4: 08 63 *OFF* 00 XLFO1 19 OFF OFF NOI 63 00 63 *OFF* XLFO2: 07 ON OFF SQR 63 00 63 *OFF* XLFO3: 08 ON OFF SAW 63 00 63 *OFF* XENV1-ENV3: UNUSED, doesn't matter. XENV4: +63 +63 +63 00 00 00 32 32 20 00 XMODE: OFF OFF OFF 00 ON OFF OFF OFF XS/L: OFF PIANO1 OFF PIANO1 OFF PIANO1 60 X XNow play F below middle C. I'm working on a light-saber patch to go with Xthis one (split, anyone?) X XHow it works: We use OSC1 and LFO1 to generate nice clean noise. XThen, LFO3 is used to put a ramp-down on the noise via DCA1. XMeanwhile, LFO2 is running at half LFO3's speed (this is critical, folks!) Xand is providing a square wave to shift the cutoff frequency of FILT. X XThis breathing sounds OK, but we add a mechanical buzz via OSC2. XDCA2's manual setting of 26 makes this come out less strongly, and the XLFO3 modulation at -63 makes it ramp completely away much more quickly than Xthe noise from OSC1. X XOSC3 isn't used for anything here. Likewise, only ENV4 is needed in the Xenvelope generators. X X Enjoy. X X -Bill Yerazunis !End-Of-11! echo x - 12 sed -e 's/^X//' > 12 <<'!End-Of-12!' XReturn-Path: yerazuws@csv.rpi.edu XReceived: by ucbarpa.Berkeley.EDU (5.57/1.23) X id AA06382; Fri, 6 Mar 87 06:24:33 PST XReceived: by csv.rpi.edu (5.54/1.14) X id AA13205; Fri, 6 Mar 87 09:23:00 EST XDate: Fri, 6 Mar 87 09:23:00 EST XFrom: yerazuws@csv.rpi.edu (Crah) XMessage-Id: <8703061423.AA13205@csv.rpi.edu> XTo: esq@ucbarpa.Berkeley.EDU XStatus: O X X In honor of St. Patrick's Day (well, it's close, eh?) - X X BAGPIPES X XOSC1 0 0 0 pulse2 off 0 off 0 XOSC2 -1 3 8 pulse2 kbd2 -63 wheel +12 XOSC3 -2 8 4 pulse2 kbd2 -63 wheel +12 X XDCA1 58 on lfo1 2 env1 63 XDCA2 56 on lfo1 -2 off 0 XDCA3 55 on off 0 off 0 X XFILT 127 o o off 0 off 0 X XDCA4 63 08 off 0 X XLFO1 7 off on saw 63 0 63 LFO1 XLFO2 & 3 - unused XENV1 4 0 0 0 0 0 6 0 0 0 XENV2 & 3 - unused XENV4 63 63 63 21 0 0 18 32 34 0 X XMODES off off ON 07 on off off off X XSPLIT - none X XHow To Use This Patch: X Bagpipes are rather unique instruments in that they Xhave a number of "drones" (2,3,4, whatever) which play the same Xnote continuously. This means that a bagpipe CANNOT play in Xany key and sound good- it has to play in the key it was Xtuned for. X XThis being a synthesized bagpipe, we allow the user to tune Xthe drones to sound harmoniously by means of the modulation Xwheel. To tune to a key, press and hold the tonic note Xand rotate the mod wheel slowly till you find the point of Xleast obnoxousness. This patch has been set up so with the Xmod wheel all the way DOWN, it's tuned in C. X XHow This Patch Works: X OSC1 is used to generate the melody line. Meanwhile, XOSC2 and 3 are negatively modulated with the keyboard Xposition, and hence do NOT track the keyboard position at all. XThey play the same note (well, nearly the same note) across the Xentire keyboard. In this particular patch, with the mod wheel Xall the way down, they play C below middle C and G below middle C. X X That gives us proper bagpipe tone (by the way, you can't Xsample bagpipes. The drones get all messed up and though it's Xinteresting, it isn't "bagpipey" when you play it). Now, Xbagpipes also slide into notes- there's a little "gulp" when Xthe player moves his arm. So, we go into monophonic mode and Xapply a little fast glide with GLIDE, and a little accent on Xthe attack with ENV1. X XHints: X Bagpipes don't have a particularly wide range. This one Xis no exception. It plays best between middle C and one-and-a-half Xoctaves up. X AVOID BEATLES SONGS ! A friend of mine played "Penny Lane" Xon this patch. I had to spill ice cream into her lap to get her Xto stop. I never knew she could be so sadistic. :-) X X -Bill Yerazunis X X X "Bagpipes are an 'outside' toy" -King Arthur X !End-Of-12! echo x - 13 sed -e 's/^X//' > 13 <<'!End-Of-13!' XReturn-Path: mcvax!cs.vu.nl!tulp@seismo.CSS.GOV XReceived: by ucbarpa.Berkeley.EDU (5.57/1.23) X id AA01462; Wed, 8 Apr 87 08:45:45 PDT XReceived: from mcvax.UUCP by seismo.CSS.GOV (5.54/1.14) with UUCP X id AA04446; Wed, 8 Apr 87 07:45:09 EDT XReceived: by mcvax.cwi.nl; Wed, 8 Apr 87 11:29:44 +0200 (MET) XReceived: from klipper.cs.vu.nl by botter.cs.vu.nl id aa07938; X 8 Apr 87 10:04 MDT XDate: Wed, 8 Apr 87 10:02:21 MDT XFrom: Tulp E XTo: esq@ucbarpa.Berkeley.EDU XSubject: Patches Transoniq Hacker XMessage-Id: <8704081002.aa29820@klipper.cs.vu.nl> XStatus: O X X X Until now, I haven't seen any reaction on my article about Xthe Transoniq Hacker patches. In order to try to start something Xup I decided to post the four patches I got from the issue that Xwas packed with my ESQ-1. In the issue I got (issue 18) there was Xalso an article about doing a limited form of additive synthesis Xon an ESQ-1. It contained a table with the settings for the first X32 harmonics. The technique is to assign each of your three Xoscillators a different harmonic (maybe you can also layer two Xsounds in order to be able to specify six harmonics). If there is Xan interest for this table let me know and I will send it to the Xlist. This posting calls for a continuation. So if you would be Xwilling to post the patches from the copy of the Hacker you got (I Xcould do it. So why can't you ?), first send a message to the Xmailing list stating from which issue you are going to post the Xpatches, so there will be no duplicate postings. X XDrive and synthesize carefully, XEduard Tulp. tulp@cs.vu.nl X X-----patch-----patch-----patch-----patch-----patch-----patch------ X XThe first patch (Wurlitzer Electric Piano) was created by Roy XSmith. The clav 1 patch was programmed by Vincent Sanchez of Aptos XCalifornia. String 2 and mystery were programmed by Erick XHailstone and Clark Salisbury. X X PROGRAM: WU_PI X -------- X X OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XOSC 1 -1 00 00 SQUARE OFF +05 OFF +00 XOSC 2 -1 00 00 PIANO OFF +05 OFF +00 XOSC 3 +1 00 00 BELL ENV 2 +12 OFF +53 X ------------------------------------------------------------- X X LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XDCA 1 52 ON ENV 1 +26 OFF +00 XDCA 2 54 ON OFF +00 OFF +00 XDCA 3 25 ON ENV 2 +31 OFF +27 X ------------------------------------------------------------- X X FREQ= Q= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XFILTER 000 03 33 OFF +00 VEL +35 X ------------------------------------------------------------- X X VOLUME MOD DEPTH PAN= PAN MODULATOR DEPTH X ------------------------------------------------------------- XDCA4 ENV4 +63 08 LFO 3 +44 X ------------------------------------------------------------- X X FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD= X ------------------------------------------------------------- XLFO 1 45 OFF ON TRI 00 00 21 OFF XLFO 2 63 OFF ON NOI 63 63 63 OFF XLFO 3 19 ON OFF TRI 38 19 00 WHEEL X ------------------------------------------------------------- X X L1= L2= L3= LV= T1V= T1= T2= T3= T4= TK= X ------------------------------------------------------------- XENV 1 +63 +25 +41 63 00 06 07 00 00 09 XENV 2 +63 +48 +10 38 00 00 04 02 53 47 XENV 3 +63 +38 +00 00 00 00 00 04 00 00 XENV 4 +63 +63 +00 20 00 00 15 40 13 00 X ------------------------------------------------------------- X X SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC= X ------------------------------------------------------------- XMODES OFF OFF OFF 00 ON OFF OFF OFF X ------------------------------------------------------------- X X SPL/LAY-->PROG LAY-->PROG SPL--->PROG SPLIT KEY X ------------------------------------------------------------- XSPLIT/ OFF OFF OFF XLAYER X X PROGRAM: CLAV 1 X -------- X X OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XOSC 1 UNUSED XOSC 2 -1 00 02 REED ENV1 05 - XOSC 3 -1 00 01 REED LFO1 05 - X ------------------------------------------------------------- X X LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XDCA1 OFF XDCA2 40 ON ENV 2 63 - XDCA3 55 ON ENV 2 63 - X ------------------------------------------------------------- X X FREQ= Q= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XFILTER 016 00 12 ENV 2 63 KBD 32 X ------------------------------------------------------------- X X VOLUME MOD DEPTH PAN= PAN MODULATOR DEPTH X ------------------------------------------------------------- XDCA4 ENV4 63 08 - - X ------------------------------------------------------------- X X FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD= X ------------------------------------------------------------- XLFO 1 22 OFF ON TRI 00 01 17 WHEEL XLFO 2 - XLFO 3 - X ------------------------------------------------------------- X X L1= L2= L3= LV= T1V= T1= T2= T3= T4= TK= X ------------------------------------------------------------- XENV 1 00 00 -13 00 00 12 50 00 22 09 XENV 2 +63 +37 +16 00 37 10 14 18 20 09 XENV 3 XENV 4 +63 +63 00 00 00 00 11 36 00 00 X ------------------------------------------------------------- X X SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC= X ------------------------------------------------------------- XMODES OFF OFF OFF 00 OFF ON OFF OFF X ------------------------------------------------------------- X X SPL/LAY-->PROG LAY-->PROG SPL--->PROG SPLIT KEY X ------------------------------------------------------------- XSPLIT/ OFF OFF OFF XLAYER X X PROGRAM: STRNG2 X -------- X X OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XOSC 1 +1 00 00 SAW ENV 1 -03 LFO 3 +03 XOSC 2 +1 00 06 SAW ENV 1 +04 LFO 2 +03 XOSC 3 +1 00 03 SAW LFO 1 +05 LFO 1 00 X ------------------------------------------------------------- X X LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XDCA1 56 ON ENV 1 +63 LFO 2 +08 XDCA2 63 ON ENV 2 +63 LFO 2 +06 XDCA3 63 ON ENV 2 +56 LFO 2 +05 X ------------------------------------------------------------- X X FREQ= Q= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XFILTER 22 00 63 OFF 00 LFO 1 00 X ------------------------------------------------------------- X X VOLUME MOD DEPTH PAN= PAN MODULATOR DEPTH X ------------------------------------------------------------- XDCA4 ENV4 63 08 LFO 1 +03 X ------------------------------------------------------------- X X FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD= X ------------------------------------------------------------- XLFO 1 23 OFF ON TRI 12 00 12 OFF XLFO 2 11 OFF ON NOI 11 01 11 LFO 1 XLFO 3 08 OFF ON NOI 05 06 15 WHEEL X ------------------------------------------------------------- X X L1= L2= L3= LV= T1V= T1= T2= T3= T4= TK= X ------------------------------------------------------------- XENV 1 +01 -01 +00 00 00 27 23 28 20 09 XENV 2 +63 +50 +45 00 00 63 50 63 20 09 XENV 3 +63 +10 +41 08 00 08 19 63 44 09 XENV 4 +41 +46 +36 08 20 23 45 45 29 09 X ------------------------------------------------------------- X X SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC= X ------------------------------------------------------------- XMODES OFF OFF OFF 00 OFF OFF OFF OFF X ------------------------------------------------------------- X X SPL/LAY-->PROG LAY-->PROG SPL--->PROG SPLIT KEY X ------------------------------------------------------------- XSPLIT/ OFF OFF OFF XLAYER X X PROGRAM: MYSTRY X -------- X X OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XOSC 1 00 00 00 EL PNO LFO 1 +01 OFF 00 XOSC 2 00 00 00 EL PNO LFO 1 +05 ENV 1 00 XOSC 3 -1 07 00 SYNTH1 OFF +63 OFF -32 X ------------------------------------------------------------- X X LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XDCA1 63 ON OFF 00 OFF 00 XDCA2 63 ON OFF +35 OFF -63 XDCA3 63 ON ENV 1 40 OFF 00 X ------------------------------------------------------------- X X FREQ= Q= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XFILTER 27 00 27 ENV 3 +63 ENV 2 +15 X ------------------------------------------------------------- X X VOLUME MOD DEPTH PAN= PAN MODULATOR DEPTH X ------------------------------------------------------------- XDCA4 ENV4 63 10 LFO 2 +63 X ------------------------------------------------------------- X X FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD= X ------------------------------------------------------------- XLFO 1 15 OFF ON TRI 25 01 25 WHEEL XLFO 2 12 OFF ON TRI 00 31 63 OFF XLFO 3 62 ON OFF NOI 56 00 20 OFF X ------------------------------------------------------------- X X L1= L2= L3= LV= T1V= T1= T2= T3= T4= TK= X ------------------------------------------------------------- XENV 1 +63 00 00 63 00 00 08 00 00 01 XENV 2 +63 00 00 00 00 00 00 00 00 00 XENV 3 +63 +30 +01 41 22 00 28 47 37 15 XENV 4 +63 +63 00 13 38 34 41 63 50 09 X ------------------------------------------------------------- X X SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC= X ------------------------------------------------------------- XMODES OFF OFF OFF 00 OFF OFF ON OFF X ------------------------------------------------------------- X X SPL/LAY-->PROG LAY-->PROG SPL--->PROG SPLIT KEY X ------------------------------------------------------------- XSPLIT/ OFF OFF OFF XLAYER X !End-Of-13! echo x - 2 sed -e 's/^X//' > 2 <<'!End-Of-2!' XReturn-Path: chow@tcgould.tn.cornell.edu XReceived: by ucbarpa.Berkeley.EDU (5.57/1.18) X id AA02786; Mon, 1 Dec 86 13:34:00 PST XReceived: by cu-arpa.cs.cornell.edu (5.45/4.30) X id AA23674; Mon, 1 Dec 86 15:41:41 EST XDate: Mon, 1 Dec 86 15:40:22 EST XFrom: chow@tcgould.tn.cornell.edu (Christopher Chow) XMessage-Id: <8612012040.AA15942@tcgould.tn.cornell.edu> XReceived: by tcgould.tn.cornell.edu (5.31/4.30) X id AA15942; Mon, 1 Dec 86 15:40:22 EST XTo: esq@ucbarpa.Berkeley.EDU XSubject: a patch. XStatus: O X X XThe following is a patch I made, which sounds like the trumpets and a Xstring patch layered together. Enjoy. X X PROGRAM: T/STR2 X -------- X X OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XOSC 1 +0 00 02 saw lfo1 -02 env1 +03 XOSC 2 -1 11 30 piano lfo2 +02 env1 +02 XOSC 3 +0 00 00 pulse lfo3 +03 env2 -02 X ------------------------------------------------------------- X X LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XDCA 1 54 on off 00 off 00 XDCA 2 54 on off 00 off 00 XDCA 3 63 on off 00 off 00 X ------------------------------------------------------------- X X FREQ= Q= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XFILTER 32 02 31 env3 +41 off 00 X ------------------------------------------------------------- X X VOLUME MOD DEPTH PAN= PAN MODULATOR DEPTH X ------------------------------------------------------------- XDCA 4 ENV4 63 08 off 00 X ------------------------------------------------------------- X X FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD= X ------------------------------------------------------------- XLFO 1 20 off on tri 00 01 20 wheel XLFO 2 22 off on tri 00 21 20 wheel XLFO 3 22 off on tri 00 05 25 wheel X ------------------------------------------------------------- X X L1= L2= L3= LV= T1Y= T1= T2= T3= T4= TK= X -------------------------------------------------- XENV 1 +16 +00 +00 +30 00 15 19 03 20 09 XENV 2 +27 +00 +00 +00 00 00 17 00 63 15 XENV 3 +63 +63 +56 63 00 15 00 26 09 00 XENV 4 +42 +61 +43 22 32 15 29 63 36 09 X ------------------------------------------------------------- X X SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC= X ------------------------------------------------------------- XMODES off off off 00 off off on off X ------------------------------------------------------------- X X SPL/LAY-->PROG LAY-->PROG SPL-->PROG SPLIT KEY X ------------------------------------------------------------- XSPLIT/ XLAYER <<< no splitting, no layering >>> X XChristopher Chow X| ARPA: chow@batcomputer.tn.cornell.edu | X| UUCP: ...{uw-beaver|ihnp4|decvax|vax135}!bullwinkle!batcomputer!chow| X| Phone: 1-607-253-6699, USPS: 7122 N. Campus 7, Ithaca, NY 14853 | !End-Of-2! echo x - 3 sed -e 's/^X//' > 3 <<'!End-Of-3!' XReturn-Path: rosen XReceived: by ucbarpa.Berkeley.EDU (5.57/1.18) X id AA00122; Tue, 2 Dec 86 10:58:55 PST XDate: Tue, 2 Dec 86 10:58:55 PST XFrom: rosen (Rob Rosen) XMessage-Id: <8612021858.AA00122@ucbarpa.Berkeley.EDU> XTo: esq XSubject: another patch XStatus: O X X X Here's another patch, courtesy of Mike Blackwell (ihnp4!aicchi!mdb). XHe also includes some notes on his efforts towards a patch librarian and Xother ESQ tools. I thought that others on the list might enjoy reading Xthis, so here you go: X X From ihnp4!aicchi!mdb@ucbvax.Berkeley.EDU Fri Nov 21 20:56:10 1986 X Received: by ucbarpa.Berkeley.EDU (5.57/1.18) X id AA22373; Fri, 21 Nov 86 20:56:03 PST X Received: by ucbvax.Berkeley.EDU (5.53/1.18) X id AA04469; Fri, 21 Nov 86 20:55:51 PST X Date: Fri, 21 Nov 86 20:55:51 PST X From: ihnp4!aicchi!mdb@ucbvax.berkeley.edu X Message-Id: <8611220455.AA04469@ucbvax.Berkeley.EDU> X Received: by ihnp4.ATT.COM id AA04319; 21 Nov 86 14:06:44 CST (Fri) X Apparently-To: ucbvax!rosen@ucbarpa.berkeley.edu X Status: O X X Rob, X Here's a patch for the library, and some misc. notes: X X PROGRAM: ROADT2 X -------- X X Description: This patch is like the ROADT2 supplied on the voice eprom. X The difference is that the depth of the vibrato is controlled X by the wheel (base level) and by velocity. The harder you X play, the more the vibrato effect. Great for emphasising X a melody... X X X OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- X OSC 1 -1 00 00 el pno lfo1 00 env1 00 X OSC 2 -1 00 03 el pno lfo1 00 env1 00 X OSC 3 +1 07 00 synth1 *off* 00 *off* 00 X ------------------------------------------------------------- X X LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- X DCA 1 63 on lfo3 -63 *off* +00 X DCA 2 63 on lfo3 +00 *off* +00 X DCA 3 00 on env1 +42 *off* +00 X ------------------------------------------------------------- X X FREQ= Q= KEYBD= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- X FILTER 006 00 27 env3 +63 env2 +37 X ---------------------------------------------------------- X X VOLUME MOD DEPTH PAN= PAN MODULATOR DEPTH X ------------------------------------------------------------- X DCA 4 env4 63 08 lfo2 +47 X ------------------------------------------------------------- X X FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD= X ------------------------------------------------------------- X LFO 1 20 off on tri 07 40 01 vel X LFO 2 12 off off tri 63 00 20 *off* X LFO 3 13 on off tri 00 00 00 wheel X ------------------------------------------------------------- X X L1= L2= L3= LV= T1Y= T1= T2= T3= T4= TK= X -------------------------------------------------- X ENV 1 +63 +05 +00 63 29 51 56 00 00 01 X ENV 2 +63 +00 +00 63 00 00 00 00 00 00 X ENV 3 +63 +30 +01 63 22 00 28 47 37 15 X ENV 4 +63 +47 +00 50 63 00 41 63 19 09 X ------------------------------------------------------------- X X SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC= X ------------------------------------------------------------- X MODES off off off 00 off off on off X ------------------------------------------------------------- X X SPL/LAY-->PROG LAY-->PROG SPL-->PROG SPLIT KEY X ------------------------------------------------------------- X SPLIT/ off off off X LAYER X X X As far as software goes, I now have *working* programs for single-patch X up/download, patch display, sequencer memory (all of it) up/download, and X voice selection from a graphic display. I also have the sequence print X program working to the point of displaying the notes, lengths, velocities, X timing info, and most of the header data in ascii. Now comes the fun part X of getting the graphics right (:-) (:-) (:-). Maybe one of these days I'll X get the patch editor running, and the ........... X X However !!! - my MIDI computer is an Otrona Attache with a homebrew X interface, and all the software is in either 8080/z80 assembly and X (yech, this is just for quick prototyping, honest...) MBASIC. X So, if anyone else wants to try writing their own interface software, X they can either translate from assembly, or wait for my forthcoming X "USENET guide to ESQ-1 SYSEX interfacing" or whatever I end up calling X my collection of notes...... Meanwhile, I'll answer any questions I can X via EMAIL. X X Enough for now, got to get back to hacking...... X X Mike Blackwell X ihnp4!aicchi!mdb (USENET) X mdb%aicchi.UUCP@seismo.ccs.gov (INTERNET) X X X !End-Of-3! echo x - 4 sed -e 's/^X//' > 4 <<'!End-Of-4!' XReturn-Path: rosen XReceived: by ucbarpa.Berkeley.EDU (5.57/1.20) X id AA29295; Sun, 11 Jan 87 01:47:41 PST XDate: Sun, 11 Jan 87 01:47:41 PST XFrom: rosen (Rob Rosen) XMessage-Id: <8701110947.AA29295@ucbarpa.Berkeley.EDU> XTo: esq XSubject: ANOTHER PATCH XStatus: O X X X Yah, this time Jon Hassell has gotten to me. In case you've never Xheard of him, try listening to his new LP "Power Spot", produced by Brian XEno and Dan Lanois. He's a trumpeter who has been very influenced by Eastern Xscales and intonations. He also puts his trumpet through a number of electronic Xgadgets so it sounds very strange but quite interesting once you get used to it. X X Anyway, since he plays a trumpet I had thought that to get a patch that Xapproximated his sound, I'd start with the 3TRUMS patch. X X WRONG!!! X X If you look around a little you will find that one of the most Xinteresting standard patches built-in to the ESQ is a patch called "HASSEL". X"Gee, what a coincidence" I thought. Then I listened to the patch and thought X"well, it DOES sound a little like what I want, but only a little." X X So I modified the envelopes and turned on the mono mode, added a little Xglide to approximate his technique, and came up with the following patch. X X Let me know what you think, Hassell fans. I think it actually sounds Xpretty decent, as long as you keep the range from about the octaves above and Xbelow middle C (about a 2.5 octave range here, skewed more to the right than Xto the left). X X %%Rob X X (I called the patch "Tibett" because until recently I was under Xthe impression that Hassell actually played a Tibetian trumpet, which is Xwhy I thought the trumpet sounded so strange. Actually he apparently Xplays a normal trumpet piped through electronics, and limits himself to Xpentatonic scales so it SOUNDS Tibetian.) X X X PROGRAM:Tibett X -------- X X OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XOSC 1 0 02 00 voice2 env1 08 lfo1 06 XOSC 2 0 00 02 saw env1 -02 lfo2 06 XOSC 3 0 07 -04 voice2 env1 08 lfo3 10 X ------------------------------------------------------------- X X LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XDCA 1 63 on lfo1 -41 XDCA 2 53 on env2 29 XDCA 3 63 on X ------------------------------------------------------------- X X FREQ= Q= KEYBD= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XFILTER 009 00 26 env3 42 X ------------------------------------------------------------- X X FINAL VOL. (ENV 4) PAN= PAN MODULATOR DEPTH X ------------------------------------------------------------- XDCA 4 60 06 kbd 61 X ------------------------------------------------------------- X X FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD= X ------------------------------------------------------------- XLFO 1 18 off off tri 00 05 20 wheel XLFO 2 21 off off tri 06 01 20 wheel XLFO 3 24 off off noi 00 01 20 wheel X ------------------------------------------------------------- X X L1= L2= L3= LV= T1V= T1= T2= T3= T4= TK= X ------------------------------------------------------------- XENV 1 04 02 00 17 63 41 16 39 24 30 XENV 2 59 63 30 23 41 63 63 63 24 32 XENV 3 63 63 63 03 11 12 28 35 14 33 XENV 4 02 60 15 00 00 00 00 63 59 32 X ------------------------------------------------------------- X X SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC= X ------------------------------------------------------------- XMODES off off on 08 off off off off X ------------------------------------------------------------- X !End-Of-4! echo x - 5 sed -e 's/^X//' > 5 <<'!End-Of-5!' XReturn-Path: chow@tcgould.tn.cornell.edu XReceived: by ucbarpa.Berkeley.EDU (5.57/1.20) X id AA02939; Sun, 11 Jan 87 13:27:17 PST XReceived: by cu-arpa.cs.cornell.edu (5.45/4.30) X id AA17898; Sun, 11 Jan 87 16:28:02 EST XDate: Sun, 11 Jan 87 16:27:46 EST XFrom: chow@tcgould.tn.cornell.edu (Christopher Chow) XMessage-Id: <8701112127.AA26389@tcgould.tn.cornell.edu> XReceived: by tcgould.tn.cornell.edu (5.31/4.30) X id AA26389; Sun, 11 Jan 87 16:27:46 EST XTo: esq@ucbarpa.Berkeley.EDU XSubject: Another patch XStatus: O X X XHere's a patch I made a few week ago: X X PROGRAM:MALLOT X -------- X X OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XOSC 1 +0 00 00 el pno off 00 off 00 XOSC 2 +0 09 00 formt4 off 00 off 00 XOSC 3 -1 00 00 synth1 off 00 off 00 X ------------------------------------------------------------- X X LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XDCA 1 63 on off +00 env2 +63 XDCA 2 40 on off +00 env3 +63 XDCA 3 40 on kbd2 +63 env3 +63 X ------------------------------------------------------------- X X X FREQ= Q= KEYBD= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XFILTER 037 00 04 env1 +23 env3 +22 X ------------------------------------------------------------- X X FINAL VOL. (ENV 4) PAN= PAN MODULATOR DEPTH X ------------------------------------------------------------- XDCA 4 63 08 off 00 X ------------------------------------------------------------- X X FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD= X ------------------------------------------------------------- XLFO 1 00 off off tri 00 00 00 off XLFO 2 00 off off tri 00 00 00 off XLFO 3 00 off off tri 00 00 00 off X ------------------------------------------------------------- X X L1= L2= L3= LV= T1V= T1= T2= T3= T4= TK= X ------------------------------------------------------------- XENV 1 +63 +00 +00 29 00 00 15 00 15 00 XENV 2 +63 +43 +00 51 00 00 44 63 24 48 XENV 3 +63 +00 +00 36 00 00 46 00 46 00 XENV 4 +63 +50 +25 32 32 10 20 27 23 00 X ------------------------------------------------------------- X X SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC= X ------------------------------------------------------------- XMODES off off off 00 on off off off X ------------------------------------------------------------- X X XChristopher Chow X/-------------------------------------------------------------------------\ X| ARPA: chow@batcomputer.tn.cornell.edu (128.84.253.35) | X| UUCP: ...{uw-beaver|ihnp4|decvax|vax135}!bullwinkle!batcomputer!chow | X| Phone: 1-201-836-3673, USPS: 671 Forest Av, Teaneck, NJ 07666 | X| PAN: chow Delphi: chow | X\-------------------------------------------------------------------------/ !End-Of-5! echo x - 6 sed -e 's/^X//' > 6 <<'!End-Of-6!' XReturn-Path: Webster.Henr@Xerox.COM XReceived: by ucbarpa.Berkeley.EDU (5.57/1.20) X id AA07724; Wed, 14 Jan 87 17:10:37 PST XReceived: from Aurora.ms by ArpaGateway.ms ; 14 JAN 87 15:00:18 PST XDate: 14 Jan 87 16:23:38 EST (Wednesday) XSubject: Harpsichord patch XTo: esq@ucbarpa.Berkeley.EDU XCc: Webster.Henr@Xerox.COM XFrom: Marc Webster XReply-To: Webster.Henr@Xerox.COM XMessage-Id: <870114-150018-749@Xerox> XStatus: O X XFolks, X XAs promised, here's the harpsichord patch. The initial metalic pluck is Xmodeled by the noise2 oscillator, and the metalic release buzz by Xinstantaneously opening the filter all the way upon release. The sound Xis quite good, particularly in the middle range (the very low bass lacks Xa little resonance and the very high treble lacks definition). On the Xwhole, I would say it's very usable and one of the better patches (and Xcertainly better than any of my efforts to create a harpsichord!). Hope Xyou like it. X XMarc X -- satisfaction guranteed, or your money Bach X X X* * * * * * * * * X X PROGRAM: Harpsichord X -------- X X OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XOSC 1 0 0 0 bass XOSC 2 +1 0 1 bass XOSC 3 -3 0 0 noise2 kbd2 -63 X ------------------------------------------------------------- X X LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XDCA 1 63 on env1 -63 XDCA 2 63 on env1 -63 XDCA 3 0 on env2 +63 X ------------------------------------------------------------- X X FREQ= Q= KEYBD= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XFILTER 127 7 13 env3 63 X ------------------------------------------------------------- X X FINAL VOL. (ENV 4) PAN= PAN MODULATOR DEPTH X ------------------------------------------------------------- XDCA 4 63 08 X ------------------------------------------------------------- X X FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD= X ------------------------------------------------------------- XLFO 1 XLFO 2 XLFO 3 X ------------------------------------------------------------- X X L1= L2= L3= LV= T1V= T1= T2= T3= T4= TK= X ------------------------------------------------------------- XENV 1 00 63 63 00 00 00 47 00 00 06 XENV 2 58 00 00 00 00 00 00 00 05 00 XENV 3 -57 -57 -57 00 00 00 00 00 00 00 XENV 4 63 20 21 21 00 00 43 55 16 45 X ------------------------------------------------------------- X X SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC= X ------------------------------------------------------------- XMODES off off off 0 on on on off X ------------------------------------------------------------- X X X !End-Of-6! echo x - 7 sed -e 's/^X//' > 7 <<'!End-Of-7!' XReturn-Path: norton%rdge00.DEC@decwrl.DEC.COM XReceived: by ucbarpa.Berkeley.EDU (5.57/1.20) X id AA17749; Mon, 19 Jan 87 03:38:24 PST XReceived: from rhea.dec.com by decwrl.dec.com (5.54.3/4.7.34) X id AA26900; Mon, 19 Jan 87 03:37:57 PST XMessage-Id: <8701191137.AA26900@decwrl.dec.com> XDate: Monday, 19 Jan 1987 03:33:20-PST XFrom: norton%rdge00.DEC@decwrl.DEC.COM XTo: esq@ucbarpa.Berkeley.EDU XSubject: more esq patches... XStatus: O X XHere they are then - as requested by Rob, the ENSONIC patches for KOTO and OBOE. XI should warn you the OBOE is lousy. It sounds a little bit better with a touch Xof mod wheel. What it really needs is a more 'reedy' sound. KOTO sounds good to Xmy ears. X X PROGRAM: OBOE X -------- X X OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XOSC 1 0 00 00 FORMT5 lfo1 +02 env1 +63 XOSC 2 0 00 00 FORMT2 lfo1 +02 env1 +03 XOSC 3 0 00 00 FORMT2 lfo1 +25 env1 +03 X ------------------------------------------------------------- X X LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XDCA 1 63 on off 00 off 00 XDCA 2 63 on off 00 off 00 XDCA 3 63 on off 00 off 00 X ------------------------------------------------------------- X X FREQ= Q= KEYBD= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XFILTER 019 09 45 env3 +08 off 00 X ------------------------------------------------------------- X X VOLUME MOD DEPTH PAN= PAN MODULATOR DEPTH X ------------------------------------------------------------- XDCA 4 env4 63 08 off 00 X ------------------------------------------------------------- X X FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD= X ------------------------------------------------------------- XLFO 1 22 on on tri 00 00 63 wheel XLFO 2 22 off on tri 00 21 20 wheel XLFO 3 06 off on tri 56 00 20 off X ------------------------------------------------------------- X X L1= L2= L3= LV= T1Y= T1= T2= T3= T4= TK= X -------------------------------------------------- XENV 1 +09 00 00 30 00 06 00 03 20 09 XENV 2 +63 +50 +45 00 00 00 50 63 12 09 XENV 3 +27 +00 00 21 22 17 16 00 20 37 XENV 4 +51 +51 +63 18 28 13 23 57 26 09 X ------------------------------------------------------------- X X SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC= X ------------------------------------------------------------- XMODES off off off 00 off off off off X ------------------------------------------------------------- X X SPL/LAY-->PROG LAY-->PROG SPL-->PROG SPLIT KEY X ------------------------------------------------------------- XSPLIT/ off off off XLAYER X X X X X X X X PROGRAM: +KOTO2 X -------- X X OCT= SEMI= FINE= WAVE= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XOSC 1 -1 00 00 BASS lfo1 -10 off 00 XOSC 2 -1 00 01 BASS2 lfo1 -12 off 00 XOSC 3 +1 07 03 VOICE2 lfo1 -11 lfo2 +01 X ------------------------------------------------------------- X X LEVEL= OUTPUT= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XDCA 1 00 on env1 +63 off 00 XDCA 2 63 on off 00 off 00 XDCA 3 00 on env2 +52 off 00 X ------------------------------------------------------------- X X FREQ= Q= KEYBD= MOD#1 DEPTH MOD#2 DEPTH X ------------------------------------------------------------- XFILTER 004 03 23 env3 +50 off 00 X ------------------------------------------------------------- X X VOLUME MOD DEPTH PAN= PAN MODULATOR DEPTH X ------------------------------------------------------------- XDCA 4 env4 63 08 off 00 X ------------------------------------------------------------- X X FREQ= RESET= HUMAN= WAV= L1= DELAY= L2= MOD= X ------------------------------------------------------------- XLFO 1 18 on off tri 00 00 39 wheel XLFO 2 16 on off tri 13 00 20 off XLFO 3 16 off off noi 00 01 20 wheel X ------------------------------------------------------------- X X L1= L2= L3= LV= T1Y= T1= T2= T3= T4= TK= X -------------------------------------------------- XENV 1 +63 +08 +20 00 00 00 50 63 20 09 XENV 2 +63 +32 +57 33 00 00 26 28 20 00 XENV 3 +61 +34 00 25 14 02 24 63 20 09 XENV 4 +63 +57 +63 20 00 00 39 48 06 00 X ------------------------------------------------------------- X X SYNC= AM= MONO= GLIDE= VC= ENV= OSC= CYC= X ------------------------------------------------------------- XMODES off off off 00 on off on off X ------------------------------------------------------------- X X SPL/LAY-->PROG LAY-->PROG SPL-->PROG SPLIT KEY X ------------------------------------------------------------- XSPLIT/ off off off XLAYER X !End-Of-7! echo x - 8 sed -e 's/^X//' > 8 <<'!End-Of-8!' XReturn-Path: ihnp4!aicchi!mdb@seismo.CSS.GOV XReceived: by ucbarpa.Berkeley.EDU (5.57/1.20) X id AA06095; Fri, 23 Jan 87 09:49:41 PST XReceived: from ihnp4.UUCP by seismo.CSS.GOV (5.54/1.14) with UUCP X id AA05376; Fri, 23 Jan 87 12:48:32 EST XDate: Fri, 23 Jan 87 12:48:32 EST XFrom: ihnp4!aicchi!mdb@seismo.CSS.GOV XMessage-Id: <8701231748.AA05376@seismo.CSS.GOV> XReceived: by ihnp4.ATT.COM id AA22607; 23 Jan 87 10:14:42 CST (Fri) XTo: rosen@ucbarpa.Berkeley.EDU XSubject: esq-1 patches XStatus: O X X Here are a few more patches for the esq-1. I don't have a lot of Xtime, so you'll have to pretty-print them, but here goes: X X ROGSTR - Strings X Xosc1 0 0 0 saw lfo1 +2 env1 +3 Xosc2 0 0 5 piano lfo2 +1 env1 +2 Xosc3 0 0 3 saw lfo2 +2 lfo1 +0 Xdca1 54 on off off Xdca2 54 on off off Xdca3 53 on off off Xfilter 127 31 23 env3 +5 vel +0 Xdca4 63 8 lfo3 +61 Xlfo1 20 off on tri 0 1 20 wheel Xlfo2 22 off on tri 0 21 20 wheel Xlfo3 6 off on tri 56 0 20 off Xenv1 +16 0 0 30 0 15 19 3 20 9 Xenv2 +63 +50 +45 0 0 0 50 63 12 9 Xenv3 +63 +17 +17 0 22 46 44 63 37 9 Xenv4 +42 +61 +43 22 32 15 29 63 36 9 Xmodes off off off 0 off off off off Xsplit off off off X X---- X XORGAN1 - Reasonable Pipe Organ - uses AM mode X Xosc1 -1 0 0 sine lfo1 -02 env1 +3 Xosc2 +0 7 0 sine lfo2 +2 env1 +2 Xosc3 -1 0 0 sine lfo3 +3 env1 -2 Xdca1 54 on off off Xdca2 54 on off off Xdca3 53 on off off Xfilter 32 2 31 env3 +41 off Xdca4 63 8 off Xlfo1 20 off on tri 0 1 20 wheel Xlfo2 20 off on tri 0 1 20 wheel Xlfo3 22 off on tri 0 5 25 wheel Xenv1 +16 0 0 30 0 15 19 3 20 9 Xenv2 +27 0 0 0 0 0 17 0 63 15 Xenv3 +62 +63 +56 63 0 15 0 26 9 0 Xenv4 +42 +61 +43 22 32 15 29 63 36 9 Xmodes off on off 0 off off on off Xsplit off off off X XNote: sounds best w/ a touch of mod wheel XNote: take osc2 up one octave for a basic oboe sound X X--- X XOB2BRS - Variation on OB BRS w/ mod wheel and velocity controlling filter X Xosc1 -1 0 0 saw lfo1 +2 lfo3 0 Xosc2 0 0 4 saw lfo1 +1 lfo3 0 Xosc3 0 0 1 reed lfo1 +1 lfo3 0 Xdca1 0 on env2 +63 lfo3 0 Xdca2 0 on env2 +63 lfo1 0 Xdca3 0 on env2 +63 lfo1 0 Xfilter 55 6 0 env3 +63 wheel -47 Xdca4 63 8 lfo1 0 Xlfo1 22 off off tri 0 1 18 off Xlfo2 16 off off sqr 0 1 20 off Xlfo3 16 off off tri 0 0 20 off Xenv1 +62 +8 +20 0 0 0 50 63 20 9 Xenv2 +63 +49 +45 0 0 0 50 63 35 9 Xenv3 +63 +56 +44 61 1 8 25 35 25 3 Xenv4 +63 +46 +63 18 18 6 2 14 25 0 Xmodes off off off 0 on on off off Xsplit off off off X XNote: Set the mod wheel about 1/3 open, then use velocity to brighten the X notes. Or use the mod wheel manually. X X--- XCLAV - sounds nice to me. try it! X Xosc1 -1 0 0 el pno lfo1 +4 env1 0 Xosc2 -1 0 3 el pno lfo1 0 env1 0 Xosc3 +1 7 0 synth1 off off Xdca1 63 on off off Xdca2 63 on off off Xdca3 56 on env1 -63 off Xfilter 47 0 27 env3 +43 env2 +15 Xdca4 58 8 lfo2 +47 Xlfo1 20 off off tri o 1 56 wheel Xlfo2 12 off off tri 63 0 20 off Xlfo3 62 on off noi 56 0 20 off Xenv1 +63 0 +36 63 63 0 7 46 0 0 Xenv2 +63 0 0 0 0 0 0 0 0 0 Xenv3 +63 +30 +1 41 22 0 28 47 37 14 Xenv4 +63 +47 0 31 63 0 41 47 19 26 Xmodes off on off 0 on on on off Xsplit off off off X X--- X XNow, in return... X I went to hear Ken Medema at Moody last Friday. The things he Xdid with a dx7 and tx7 midi'ed (and a roland drum machine) were Xincredible! In particular, he had a variation on the 'clasic' dx7 Xclavichord/bell-piano sound, and a pipe organ, that were awsome!!! XHas anyone come close to duplicating these sounds on the esq-1 (yet)??? X X X Lets keep those patches comming..... X X Mike Blackwell X seismo.uucp!ihnp4!aicchi!mdb X X !End-Of-8! echo x - 9 sed -e 's/^X//' > 9 <<'!End-Of-9!' XReceived: by ucbarpa.Berkeley.EDU (5.57/1.20) X id AA07940; Fri, 6 Feb 87 07:06:50 PST XReceived: from Aurora.ms by ArpaGateway.ms ; 06 FEB 87 07:05:54 PST XDate: 6 Feb 87 10:05:40 EST (Friday) XSubject: a useful layer and a new context for Tekno? patch XTo: esq@ucbarpa.Berkeley.EDU XCc: Webster.Henr@Xerox.COM XFrom: Marc Webster XReply-To: Webster.Henr@Xerox.COM XMessage-Id: <870206-070554-3244@Xerox> XStatus: O X XI've found a useful patch by layering PnoStr and DigPno. It gives you Xthe percussiveness of a piano but fills out with the strings. Also, XI've modified the strings so I can controll volume with the voltage Xcontrol pedal. Set the three DCA initial volume to 32 instead of 64 and Xlet the pedal add to the volume appropriately. I also closed the filter Xslightly and had the pedal open it back up to add intensity. After Xdecreasing the amplitude of the DigPno (DCA4 = something in the 20's) Xand putting the pno and strings together, I can pull the pedal back all Xthe way and basically get "just digital piano". As the music intesity Xincreases, I can begin to press the pedal to add the strings which fill Xout the sounds nicely. Not terribly new and exotic, but effective. X XAnd here's a new context for the "TEKNO?" patch (off the cartridge). XThe patch has a slight vibrato from LFO1 controlled by the wheel. I Xincreased the LFO rate to about 28 or so, and set level so that the Xpitch would always have a quick, wide "vibrato" (actually, it sounds Xmore like a fast "shake" in vocal jazz). Then I added heavy reverb X(this part turns out to be very important. If not drenched in reverb, Xthe sound is hoaky). Now hit a chord in the upper part of the keyboard Xwith several color notes. For example, a C7 voiced as X X G X E X D X Bb X G X XIf it sounds like mine, you get a very effective "hit" (as in orchestra Xhits, brass hits, etc). X Xnote: The reason for the reverb is to blend the fast, wide vibrato into Xa single sound color rather than being able to distinguish that the Xchord is vibratoing. Too light a reverb makes the pitch variation Xobvious. X X XSince these are just modifications of standard patches, I didn't bother Xto print a patch sheet. If somebody asks, though, I will. Also, I've Xmade a patch of a "record scratch" (errrrRRrrRRrrRREEeeEEEeeKKKK!!!) XIt's not fantastic, but it's getting there. One of these days I'll Xremember to bring it in. X X Xmarc webster !End-Of-9!